This compelling collection of correspondence between a father and a son documents the history of eighteenth-century America through the intimate story of a family and the journey from boyhood to political prominence of its most illustrious member, Charles Carroll of Carrollton, the only Roman Catholic signer of the Declaration of Independence.
Beginning in the late 1740s, when "Papa" (Charles Carroll of Annapolis) sent "Charley" (Charles Carroll of Carrollton) away from his native Maryland to be educated in Europe, the letters present a new perspective on colonial and Revolutionary America as the lived experience of Roman Catholics, whose defiant adherence to their faith denied them the civil rights and guarantees--including the right to hold office and to vote--that their Protestant counterparts enjoyed. This context accentuates the drama of Charley's rise to power during the Revolution, the necessity of the political and economic compromises he felt compelled to make, and the ultimately tragic personal price exacted by his success. Bringing the Carroll's public and private lives sharply into focus, these volumes present the past in its fullest human dimensions.
Explore the dark subculture of 1950s tattoos!In the early 1950s, when tattoos were the indelible mark of a lowlife, an erudite professor of English--a friend of Gertrude Stein, Thomas Mann, Andre Gide, and Thornton Wilder--abandoned his job to become a tattoo artist (and incidentally a researcher for Alfred Kinsey). Bad Boys and Tough Tattoos tells the story of his years working in a squalid arcade on Chicago's tough State Street. During that time he left his mark on a hundred thousand people, from youthful sailors who flaunted their tattoos as a rite of manhood to executives who had to hide their passion for well-ornamented flesh. Bad Boys and Tough Tattoos is anything but politically correct. The gritty, film-noir details of Skid Row life are rendered with unflinching honesty and furtive tenderness. His lascivious relish for the young sailors swaggering or staggering in for a new tattoo does not blind him to the sordidness of the world they inhabited. From studly nineteen-year-olds who traded blow jobs for tattoos to hard-bitten dykes who scared the sailors out of the shop, the clientele was seedy at best: sailors, con men, drunks, hustlers, and Hells Angels. These days, when tattoo art is sported by millionaires and the middle class as well as by gang members and punk rockers, the sheer squalor of Bad Boys and Tough Tattoos is a revelation. However much tattoo culture has changed, the advice and information is still sound:
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